A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.

Short film about a pickpocket. A police officer catches a pickpocket after some illegal activity on a bus, but is willing to hear what led him to the crime.

A sailor, whose life has been destroyed in every way, is drunk all the time. By chance, he discovers the current owner of the villa that used to belong to him.

Two Greek children embark on a journey to search for their father, who supposedly lives in Germany.

The assassin of a prominent trade unionist takes a conservative MP hostage, throwing the government into a state of disarray.

Antonis Katsaris stars as a teacher in the small village of Zante who fights the growing desire of many locals to abandon the village for the big city or other countries. He works hard to organize traditional cultural events, such as outdoor performances of the traditional play I Chrissomalloussa, in order to solidify local values and a sense of identity. The teacher is aided by a young woman, a widow who has just returned from Germany and lives with her father-in-law. Kazan walks away with the film, as his sinister desires for his daughter-in-law are inflamed when he sees that she has fallen in love with the teacher. These developments lead him to whip up protests against the play by conservative locals, claiming that the teacher has changed the traditional story by adding elements of propaganda with the potential of causing peasant uprisings. The result is an unexpectedly violent example of social censorship.

A shepherd falls in love with an English tourist in Greece.

Based on Aristophanes's play, Athenian women band together to encourage their men to stop fighting the Spartans by withholding sex from them when they return from the front.

The days of May 1936 in Thessaloniki and the events that led to the bloody clashes between the tobacco workers and the army are described in this film in a clear way. The people are the protagonists, and the narrative does not insist on drama or exaggeration. Of particular importance is also the presentation of the way in which the country was led, through a specific plan, to the dictatorship of Metaxas, on August 4, 1936.