After receiving a large sum of money on his bank account by mistake, a small-town thirtysomething dissatisfied with his life sees the opportunity of turning back the clock to when things were good, reliving the carefree life of an university student in a big city. Here, he falls in love with a girl and gets her pregnant. There's just one problem: he already has a wife and a daughter back home!

Pietro is a successful businessman with a wife and a daughter. One day he helps his brother save two women from drowning at the beach. When he returns home he finds that his wife has died. Now Pietro has to take care of his daughter, Claudia. When he drives her to school soon after, he decides to wait for her all day in front of the school, and soon that's what he does every day.

After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.

The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.

An intellectual encounters a youth group that seeks social change.

To trace the fading past of his parents, a grizzled Greek-American filmmaker decides to shoot a movie. By recounting the painful efforts of his mother to reunite with his musician father, his film spans more than half of the 20th century.

Tiziano, a seventeen-year-old boy, fights to change his destiny, against the backdrop of a Taranto oppressed by the underworld. With a father sick of video poker and a mother busy opposing the installation of an antenna in front of an elementary school, Tiziano ends up getting into serious trouble when, in order to chase his dream of starting a different life in a distant place, with his girl, robs the safe of the local boss's villa.