January 1942, in Nazi-occupied Poland during World War II. Thousands of Jews have been confined to the Warsaw ghetto for more than a year. Outside, life goes on; inside, they struggle to survive another day. Still, on a cold winter night, a group of Jewish actors manage to stage a lively musical comedy.

Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.

Returning from a dinner party with friends, a young couple finds themselves locked outside their house, and have to deal with the remains of their relationship.

Marco, Guido, Leo, Luisa, Gaelle and Mattia have different mothers, they are not all biological children of the same father but they have a single true father figure of reference: Manfredi Alicante. When the latter passes away, they all find themselves together for the first time in their father's house in Bordeaux, living the illusion of being able to become a united family. But now each of them brings with them a story, an identity and going back won't be easy.

Miranda, a twenty-nine years old melancholic character, is struggling to find her place in the world. After having her book proposal rejected, Miranda is trying to find peace with the fact that she might never achieve her purpose. Thanks to encounters with various characters and multiple daydreams, Miranda will bring the audience with her on a journey to find something that was right in front of her all along: herself.

Lubo Moser is a jenisch, a gypsy. Mirana, who tried to oppose him, was killed. But how could this have happened? Why? Because Switzerland considers nomadism a social scourge, and, to eradicate it, it takes the children of the jenisch. Thus, without children, the Jenisch will be without a future. The mastermind is a state-run humanitarian institution, Pro Juventute, the arm the Street Children's Work: everything is perfectly legal and there is no opposition to the law. Lubo feels himself dying. And something about him really does die, on that night of wind and snow: it will be a new Lubo, tough and impenetrable, who will set up a project with unexpected implications to avenge his family and his people... and it will lead us to rethink the sense of justice, in the blurred boundaries between good and evil.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.

In Vicenza, a beautiful Italian art city, a young wealthy couple joyfully welcomes the birth of a long-awaited daughter in the early 1980s. But the child’s face is disfigured by a red birthmark that covers half her face. This spot haunts the mother to the point that she rejects her responsibilities as a mother. The child’s aunt, a famous concert pianist, takes over her education, thus discovering her exceptional musical talent.

Claudia and Flavio were once passionately in love, but all of that is over. Now, in their fifties, they must venture anew into the world of love and dating once more but for Claudia confronting the end and accepting a new beginning isn’t so easy. Claudia is unwilling to let go and forget the life she’s built with Flavio, while Flavio, eager to move on, soon finds himself in a relationship with a much younger woman. Claudia soon reconnects with Nina, a student from her days as a professor.