
Directing
Valérie Massadian is a franco-armenian photographer and filmmaker.

Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.

In a remote village, young Luka has already seen the worst. His father's disease and a very close relationship with his mother have made him the man of the house. During the male nurse's daily visit, an unexpected invitation to have lunch awakens his jealousy. He decides, then, to bring his own guest. Freely inspired by Georges Bataille’s childhood.

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

Nana is 4 years old and lives in a stone house beyond the forest. Back from school, a late afternoon, all she finds is silence in the house. A journey into the darkness of her childhood. The world from her height.

Nana is 4 years old and lives in a stone house beyond the forest. Back from school, a late afternoon, all she finds is silence in the house. A journey into the darkness of her childhood. The world from her height.
Ire. Feminine noun: wrath, rage, fury, indignation. Ire is the protest of women against those who oppress, despise and kill. Their eyes, tightly framed, stare at the camera: their stare is compelling. They are the masses and, from the anaphoric statement “I am”, sing out the violence suffered by women. In this film shot in four languages, Valérie Massadian uses the weight of her words and the strength of gate to build a babel call to resistance. Among these striking gazes, are the luminous eyes of a woman carrying in her womb a female child, yet to be born, but already angry. (Louise Martin-Papasian & Claire Lasolle – FID 2021)

Yakuza Naoki Sando discovers his daughter Hiroko in bed with his adopted son Kohji. Three years later, Kohji is working the streets as a hustler, still yearning for a way to earn his estranged father's approval to continue his borderline incestuous relationship. Hiroko sees a way back to her brother's arms when Sando's shady colleague Marc Tanner absconds to Canada with gambling funds destined for the big boss. Presumably with her father's permission, she calls Kohji and tells him to hurry to Montréal, recover the money and kill Tanner.

The rules were: one day, one wheel, one shot (no editing). Valérie Massadian’s hypnotic short was made for Seattle’s Northwest Film Forum.

The rules were: one day, one wheel, one shot (no editing). Valérie Massadian’s hypnotic short was made for Seattle’s Northwest Film Forum.

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.
