
Directing
Vadim Kostrov (born 17 August 1998; Nizniy Tagil, Russia) is a Russian filmmaker. In 2016 moved to Moscow. In 2017 studies in VGIK (Gerasimov Institute of Cinematography) on the faculty Dramaturgy. Shoots his first short documentary film. The "Silent Night" solely on iPhone. In 2018 leaves VGIK due to the pressure and censorship from masters. Makes his first feature documentary "Loft-Underground" — a VHS story of the Moscow art-underground culture through the prism of art Squats of 80-s 90-s and the present days. 2019 Vadim starts to work on his Ural series that include the doc-trilogy : "Narodnaya" (2019), "After Narodnaya" (2020), and "Comet" (2020). As well as his autobiographical works "Orpheus" (2019), "Summer" (2020), "Winter" (2021). Vadim's interests lie in the connection between fiction and documentary, exploration of memories and nostalgia , filmic relationship between camera — time, and camera — nature.

The sea, the cliffs, the boats. A couple of Russian friends come to visit the filmmaker in exile in France. Glimpsed in the distance or invading the screen – the shimmer of the waves is everywhere.

The movie was shot at the junction of documentary and fiction films. The film takes the viewer into the late Ural summer of 2019 and immerses us in the real life of today's youth, with all its uncertainty, fragility, pain, despair and aspirations.

Errol and Sasha, two young women in their twenties, drift through their lives and the city. A study by fragments of existences waiting to happen.

Shot on Mini DV and mostly in Paris, Towards the Light is a personal diary of exile. Through images of light, landscapes and memory, the film captures a year (2023) of reflective solitude in exile for Russian filmmaker Vadim Kostrov and his wife, artist Natasha Goncharova. A poetic meditation on displacement, loss and the search for light through darkness.

Set in Nizhny Tagil, Russia, Summer journeys nostalgically through the warm middle-Ural summer with eight-year-old Vadim and his half-sister Christina. They enjoy evening festivities with their older teenage friends by the fire, go on mellow skateboard rides, and have a quiet daytime nap in the garden house. Caressed by the sun and the warmth of his relatives, hidden in the quiet tranquillity of the garden and far away from the cruelty of the outside world, Vadim enjoys his childhood days. Acting as a serene lullaby that mimics the movements of a gentle breeze, Summer provides warmth, joy and solace, offering hope and strength for the future.

The movie was shot at the junction of documentary and fiction films. The film takes the viewer into the late Ural summer of 2019 and immerses us in the real life of today's youth, with all its uncertainty, fragility, pain, despair and aspirations.

The movie was shot at the junction of documentary and fiction films. The film takes the viewer into the late Ural summer of 2019 and immerses us in the real life of today's youth, with all its uncertainty, fragility, pain, despair and aspirations.

The movie was shot at the junction of documentary and fiction films. The film takes the viewer into the late Ural summer of 2019 and immerses us in the real life of today's youth, with all its uncertainty, fragility, pain, despair and aspirations.

Middle Ural, winter. A time of silence and hibernation. The bright future is anticipated yet covered with a thick layer of snow, hidden by the blizzard. Spring and summer lie somewhere very far, beyond the obliterating winter.

Set in Nizhny Tagil, Russia, Summer journeys nostalgically through the warm middle-Ural summer with eight-year-old Vadim and his half-sister Christina. They enjoy evening festivities with their older teenage friends by the fire, go on mellow skateboard rides, and have a quiet daytime nap in the garden house. Caressed by the sun and the warmth of his relatives, hidden in the quiet tranquillity of the garden and far away from the cruelty of the outside world, Vadim enjoys his childhood days. Acting as a serene lullaby that mimics the movements of a gentle breeze, Summer provides warmth, joy and solace, offering hope and strength for the future.

Filmed in the latter half of summer, 2019, 'Narodnaya' follows the travails of a garage gallery opened by members of the Nizhniy Tagil underground as it prepares and hosts concerts and an exhibition, revealing in the process the philosophies and principles of the curators and artists who create this one-season gallery.

Middle Ural, winter. A time of silence and hibernation. The bright future is anticipated yet covered with a thick layer of snow, hidden by the blizzard. Spring and summer lie somewhere very far, beyond the obliterating winter.

On December 31, 2017, there were only a few hours left before the new year, and a friend of mine came to celebrate the new year with one "family" in the very center of the capital.. this film, shot spontaneously, sums up the results of 2017, informing and enclosing all the absurdity and absurdity of everything that is happening in our country.

