With the assassination in 1948 of the head of the Jewish Anti-Fascist Committee, Solomon Mikhoels, by the state security, new times begin in the relationship between the Soviet government and the Jews.

The history of Jewish people in Russia up until the 1917 revolution.

The second film of the trilogy covers the thirtieth anniversary from 1918 to 1948. Unprecedented until that time in any country of the world, a bright and massive Jewish participation in all spheres of state policy and culture.

A provincial war vet arrives in Moscow and subsequently takes on a gang of bad cops.

The film is about what children and teenagers of besieged Leningrad survived. 14 surviving heroes and dozens of those for whom only lines of diaries and signatures for children's drawings can now speak, word by word, minute by minute, story after story, revive the siege of memory. What did people actually feel in the besieged city? Which of what we know about the blockade is true, and what is a myth, a stamp from a history textbook? The authors of the film with the help of video comparisons, reconstructions return modern St. Petersburg to the terrible time of the blockade, combining history with momentary.

A mining town in Russia at the end of the nineties. A miners' strike has paralysed the place, corruption and fraud are flourishing in the transitional period from a socialist economy to a market economy. In this world of lost souls lives Yekaterina Artemovna (Katya). This unconspicuous woman has, in the words of her future lover, a "heart of gold". The only bright spots in her lonely life in a meagre communal apartment are literature and her work in the town library. The only bright ray flashed in the life of the heroine is a visiting sailor. But he turns out to be a gigolo and leaves the poor woman. The tense string inside the heroine bursts, the iron nerves lose, and restrained Yekaterina at this point loses all patience with life and ready for the most desperate and cruel revenge...

The «Eye of God» is dedicated to the 100th anniversary of the Pushkin Museum. It shows how progressive and pro-West Russians can be, when it comes to comprehending the essence of beauty. Ivan Tsvetayev, a village priest's son, the founder of the museum, wanted the new generation of "Ivans" to understand that we are Europe, while Antiquity is our mutual cradle.

The first or one of the first films made in the USSR in the genre of "mockumentary". It tells about a real historical person and long-standing events, while the main action takes place in modern times. The 30s — the time of Sobelman's deeds — appear in the newsreel frames.