Relegated to the background in the brutal times of a transitional period, the Maestro, who is a devotee of art, an advocate of moral standards, a cellist of a symphonic orchestra, a professor of a conservatory, unable to withstand the prevailing wildness, has inevitable clashes with the environment and experiences a heavy personal drama. Archival footage of protests preceding and following the 2008 Armenian presidential elections are used in the film.

Armenian radio-engineer Arevik Sargsyan has struggled throughout her life to preserve ROT54, a giant telescope built by her uncle in the 1980s. But the collapse of the Soviet Union meant that ROT54 was left abandoned for 30 years. Now, Arevik is attempting to take control of the telescope and prove it still works.