A murder has been committed in a block of flats in Pest. Almost all the dwellers of the building behave in a suspicious way at the beginning of the investigation, although it is their everyday lapses they try to hide. In spite of the janitor's unpleasant comments, light is gradually thrown upon the case.

During a mining accident, the police arrest the sole survivor on suspicion of murder, whose pickaxe is stained with the blood of one of the victims. The investigation reveals that the identity card found on the victim belongs to another person, that the collapse was deliberate and that the miner believed to be the victim has escaped.

1708 János Bornemissza became the master of stras of Blind Bottyán from a raiding Kuruk. His weapon is driven by patriotism and love for Anna Bíró, the most beautiful girl in réthe. The captured Count Starhemberg takes the Labanc general to the Prince himself, and thus becomes Rákóczi's lieutenant. In the meantime, Réthe falls into the hands of a Laban for treason, and Anna is sent to the stocks. Suhajda, the lecherous hajdú, now thinks he can get the girl for himself. Anna sends a message to John with her brother, and at the call of the prisoners, Rákóczi's army marches. They encounter the enemy along the Váh. The Kuruks celebrate their victory with the wedding of Anna and János.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

The director has intertwined an old amateur film, shot about the Kosztolányi-family, with the adaptation of three short stories of the author. Just like the actors of the amateur film, the main characters of the three short stories are making desperate attempts to appear easy-going and self confident in the eyes of the world. In the hero of Key, the father who at home appears to be an unapproachable, important person, is suddenly revealed to be an insignificant and humiliated office clerk before his son. In Bathing, it is the severe, "tough guy" father who does not know himself and is therefore depressed and causes an irredeemable, tragic accident. In China Vase, the important guest invited with great reverence breaks into pieces the only treasure of the poor clerk couple with a nonchalant gesture. Yet, there is hope: after many years, the woman tells the mystically enlarged story with appropriate self-irony.

One day, Máté Galamb loses his faithful dog, Bogáncs, of the Puli breed. The runaway dog is found in the woods by the old, disillusioned acrobat, Dodó.

The grey hero of grey workdays, the divorced cashier of a cinema who is always willing to sacrifice herself for others, Etelka, is awarded a two-week-holiday at Lake Balaton. Following the advice of her female friend, she tries to live life at full speed.

The film is an interpretation of everyday life and privacy as well as the first love-triangle story after 1945. Benkő Lajos, the country librarian, is stationed in the capital. In lack of a suitable apartment, his wife and children have to stay in the country.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

Most of her colleagues take Mária, the new teacher to be a communist party-worker, only Irma and the drawing teacher Zoli treat her kindly. Mária starts working with great enthusiasm, and her class learns to love her in a short time.