Mr. Miller cannot feel. He is never angry, never sad. In fact he doesn't have any emotions, he cannot suffer from pain, taste or smell. Other then this he is a typical Hungarian nobody exploited by all the other Hungarian nobodies. Strangers, neighbours, friends, everyone wants something from Mr. Miller and he gladly provides. In a single day he loses everything a human being can lose and this turns out to be a great fun for everyone except for maybe him. This is an absurd tragicomedy about the utter deconstruction of the imperfect Mr. Miller.

During the rising of nazism, Sylvia, a rich but sterile woman, needs an heir to inherit her father's money. So she bribes Irene, a Jewish girl, to have a child by her husband.

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.