In February 2010, a documentary filmmaker clandestinely entered the Uritorco hill, in the province of Córdoba. His intention is to film his adventure in the forest. Once there, he meets Adriana, another walker. Together they try to have a good time but, on their way, they encounter soldiers who are looking for the remains of a UFO crash. They drag them through the night while a mysterious being corners them to kill them all.

After their humble dwelling is destroyed by a fire, a marginalized family occupies an abandoned house. From there, they dig a hole to the vault of a neighboring bank.

Víctor Maytland is approaching the end of his career. After years of work, his producer decides to stop financing his pornographic films, overflowing with narrative ideas and social content. His curious craft seems to be dying. In the shadows of his studio, during nights of desperation and obsessive writing, surrounded by papers and clouds of tobacco, he begins to shape a new project, the most absurd and crazy of his life. And so, with the meager resources he manages to gather, he sets out to undertake one last challenge: to make one last film, this time based on his memories as a young Peronist activist.

A tour through the history of porn –among prejudice, taboos and myths–, from the moment it constituted itself as a genre until it became an industry. And, while we’re at it, a look on the chances of progressing in Argentina.