February 1948. The struggle of decisive social forces for the heart of Europe.

Funny banter about love, sex, social status, and other ideals, while a new railway employee is trained and sent on his first run as driver.

Antonín Kachlík wanted to make committed films about the moral dilemmas of the working class, but in the era of normalisation, he could only proclaim how faltering individuals would eventually come to the desired thinking. This is also true of the adaptation of Jiří Švejda's book about the wavering career of a young brickmaking technologist - the simplistic drawing of characters and plots, the posterishly lifeless language and the textbook discussion of social ills are all objectionable; the ideal becomes the code of the socialist builder.

The unlucky cultural officer of a spa facility gets involved in compromising situations against his will - and he was originally only after a recommendation to study at an art school.

The innkeeper Barnabáš and the teacher Isidor Slovíčko succumb to the lure of old Moreles, to whom the young Taussig sends enthusiastic letters from America. They therefore set off to seek happiness and wealth in America. After saying goodbye to her beloved, the teacher Slovíčko, Terezka meets the forest maiden Jasana, who promises her that she will look after her beloved in exchange for her three hairs...