
Acting
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Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

It doesn't help to have an exacerbated situation like a family losing their only son - killed in a motorcycle accident. His parents, however, don't know the girl who survived, now being treated at a local hospital. Especially the honest and principled father, presented as a model worker and responsible official, cannot come to terms with her superficiality and carelessness, with her dubious life values...

February 1948. The struggle of decisive social forces for the heart of Europe.
The merging of reality with legend, the image of reality (Ruthenian Verkhovyna in the 1920s) and its reflection in people's minds - this is what characterizes the story of the modern Transcarpathian bandit Nikola Šuhaj, who "took from the rich and gave to the poor". Ivan Olbracht's novel from the 1930s, one of the artistic peaks of modern Czech prose, is a dramatic story about a war deserter, his love for the beautiful Eržica, a story about revenge for wrongs, persecution, betrayal and death. Šuhaj's fate merged with legends in people's memory. By combining elements of the past and the present, document and myth, the story turned into a ballad about how eternal and strong the human dream of freedom and happiness is.

Returning home to Prague, the magician Pasparte, an owner of a circus caravan, meets his dying colleague who entrusts his beautiful daughter Aloisie to his care. In Prague they all take up their lodgings at the house At Blue Fish in which they intend to arrange the programs. The firm is owned by widow Evzenie with whom Pasparte shares flat and bed. Evzenie is jealous of Aloisie therefore Pasparte sends Aloisie as a housewife to the single man Jakub Kolenatý who earns his living by photographing and wants to record the revived pictures of Prague. Pasparte wants to found in Prague the first permanent Czech movie theatre in which there would be projected also the original Czech films.

A petrol pump is run by a permanent team: the manager Vávra, a former civil engineer ing. Stejskal, a smug crook named Karafa, and an old man, Dvořák, who is about to retire. They have a well-developed system that allows them to divert part of the profits into their own pockets. The only one who wants nothing to do with the crooked business is old Dvorak, who one day will find another job. Into this situation comes a young man, Zdeněk Černý, as a new employee. He's inquisitive and works quickly. He also understands the profit-sharing system. He soon inspires confidence in Vávra and the others, but soon starts to assert his right to an equal share of the profits...

The film is a metaphor for the Cold War. It depicts two neighbouring nations: peace loving Fortuna and the not so peaceful land of the Steel City.

A telephone mechanic secretly pursues his passion for hunting, deceiving his wife and enlisting friends to cover for him. After a successful hunt, he mistakenly climbs onto the wrong balcony and is apprehended by police, but his disguise prevents identification, leading everyone, including his wife and friends, to deny it’s him.

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.
