Directing
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The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.
Pavel Medek is leaving a psychiatric hospital. His world consists of the musicians from the band he used to perform with, managers of recording studios and concert agencies, and the atmosphere of clubs and pubs. His marriage is falling apart, his colleagues and friends are disappearing. He decides to move to the countryside and start over. Will he manage to change his lifestyle, find new inspiration, restore confidence in himself and his family, and jump back on the pop culture bandwagon?
Unusual comedy about women and their marriage troubles.
A fairy tale based on motifs taken from Josephine tales. Like Josef II, the fictitious emperor Maxmilián often disappears from the castle in disguise in order to find out how his vassals live. On one of these 'trips' he meets a drummer returning home from his stint in the army. They live through various adventures together, meeting bandits as well as human foolishness and perfidiousness which almost leads them to the scaffold.
This tragicomic musical film by renowned screenwriter Karel Čabrádek deals with compulsory military service during the end of normalization in the 1980s. The main characters are two conscripts with different personalities, Pavel and Tonda, who serve in a military band in a remote garrison town.
Two inseparable friends, Vyžilý and Boudník, a village self-made talent and a not-so-successful professional theatre actor, want to make a living as entertainers. But they are running up against both the ceiling of their abilities and the disfavour of the approval authorities. The normalization era of the 70s and 80s does not favour anything distinctive and both heroes repeatedly experience setbacks. Although the story of a lost generation was planned at the end of the former regime, it was not released until 1990.
King Jaroslav and Queen Anna rule over the kingdom of humans. At first glance, it is clear that they do not elevate themselves above others; their children play normally with others, and the royal couple has a good relationship with the family of the stable boy Petr. The neighboring Forest Land is a place where laws that should not be broken reign supreme. Its ruler remains mysteriously in the background, and people can only meet the land's administrator, Pavučinec. King Jaroslav is punished for breaking a long-standing ban and must balance his freedom with a gift for Pavučinec. When he finds out that he would have to give up his son, he tries to save him. But something for something—will Pavučinec choose his sacrifice after all?
Eliška Balzerová, Iva Pazderková, and Marie Doležalová star in a comedy about life, with all its joys and sorrows. The heroines are women from three generations: an energetic and tolerant grandmother, a perfectionist and therefore stressed single mother, and a crazy, rebellious granddaughter. The play is written in the form of stand-up comedy, which is cleverly woven into the story of one family with its everyday worries and joys, as well as major problems.