Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

A festively set table with a cake indicates that an important guest is expected. Hostilet joyfully welcomes Sammy the chimpanzee, who has a holiday today. The birthday boy receives a watch, lunch and cake...

The themes of anarchy and individualism that run through Věra Chytilová’s work begin here, in an almost docu-realist look at women finding freedom and joy amid the rigid conformity of life in a communal factory dormitory.

The story of an ethnic German living in the Czech border region of the Orlik mountains in Eastern Bohemia. His life story, recounted in film with humility, faith, and love, becomes a personal view of the history of the 20th century.

About the help of man to man, about the residence of people in need in the House of Mother Theresa.

A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.

"A refined film essay about the loneliness, wisdom and humility of old women. The film, most valued by Jan Špáta, was awarded the Grand Prize at the International Short Film Festival in Oberhausen, the Trilobit Award and Special Mention at the IFF in Karlovy Vary."