
Acting
(29 March 1929 – 19 August 1993) was an Indian actor, director, and writer-playwright. He was primarily an actor in Bengali theatre, where he became a pioneering figure in Modern Indian theatre, when he founded the "Little Theatre Group" in 1949. This group enacted many English, Shakespearean and Brecht plays, in a period now known as the "Epic theatre" period, before it immersed itself completely in highly political and radical theatre. His plays became an apt vehicle for the expression of his Marxist ideologies, visible in socio-political plays such as Kallol (1965), Manusher Adhikar, Louha Manob (1964), Tiner Toloar and Maha-Bidroha. He also acted in over 100 Bengali and Hindi films in a career spanning 40 years, and remains most known for his roles in films such as Mrinal Sen’s Bhuvan Shome (1969), Satyajit Ray’s Agantuk (1991), Gautam Ghose’s Padma Nadir Majhi (1992) and Hrishikesh Mukherjee's breezy Hindi comedies such as Gol Maal (1979) and Rang Birangi (1983).[1][2][3][4] He also did the role of a sculptor, Sir Digindra Narayan, in the episode Seemant Heera of Byomkesh Bakshi (TV series) on Doordarshan in 1993, shortly before his death.

When Nabakrishna's mother died, he was just a boy. She left him enough fortune to live a well-off life. But, can money fulfil everything that one can desire in their life?
Parna is rich, educated and talented. She is the only daughter of a tea-estate owner and gears up to take over her father's business. Her father is a hard working and intelligent businessman however is unaware of the fact that he is being cheated by his own employee named Vijay whose motive is to seize the entire estate by marrying Parna. Parna meets Rana, the son of another employee in his father's farm and is swept off her feet at his happy go lucky nature. Their relationship is not taken in a very calm manner by Vijay. He inflicts war against Rana. However love wins in the end. Vijay's craftiness is brought to everyone's notice. The young lovers are united.

Burning with a desire to be a journalist, a young man gets his chance when a publisher -- the father of a friend -- suggests that he write a story on the daily life of the people in his house (several families worth of people). The material turns out to be too incohesive and abundant to work into a pointed, thematic article, and just when he is about to give up, his younger brother asks him a simple question: "How many coal burners are there in Calcutta?" This triggers an idea for a story about Calcutta's pollution -- and the aspiring journalist dreams of myriads of burner-toting citizens invading the publisher's home demanding redress. Maybe he is finally on the way to a story that matters.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

Indira marries Upendranath Maitra at a young age, but as per her father's wish, she stays back with father for a period. She gets attacked by some robbers while returning to her husband's place.

Deepa, a schizophrenic patient, loses her normalcy due to a mishap that occurred in her personal life. Dr. Surajit Sen takes this case as a challenge to prove that an injured mind needs more care and a better understanding than any medicine on therapy. The film portrays how the doctor gets intimate with his patient and slowly gets into the detail of her crisis and enables her to lead a normal life.

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

Bright students Ravi, Adi and Surya are angry when they find out that their high school marks are just below the cutoff mark to get an entrance to the college of their choice. Out of frustration, Ravi twangs his guitar during his grandfather's classical music lesson. The old man, instead of getting angry at this behavior, challenges the boys first to a musical contest and then to a cycle tour to Kanyakumari. These challenges test the young kid's minds, characters and endurance.

A gambler works for a villain not knowing that he's being used to entrap a patriot and gain military secrets. The cops assign a lookalike to nab him, but not having gambling skills could give him away.

Geeta, a stage artist in Star Theatre Company, takes a ride in industrialist Sandeep Anand's car and gossip starts making rounds about their love. Sriram, owner of Star Theatre Company, wants to take advantage of the love between Geeta and Sandeep and publicizes that their new play will be sponsored by Sandeep Anand without Sandeep's knowledge. Sandeep goes on to investiglate the mysterious bills he gets for costumes, meets Geeta and falls in love with her. After quite a lot of confusion, things settle down and Sandeep and Geeta finally get married.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.


Utpal Dutt's Directional Venture.

Pradeep realises that the real reason for his father's violent behavior at home is due to the problems at the tea garden. When he grows up, he decides to resolve these issues by joining a movement.
Mohit Moitra is a leftist worker and convicted for Kakdwip Sarajantra Mamla. He always fights for the human rights. He also remembers that he was a committed freedom fighter. Once he didnâ€TMt care for his life and took a great risk to save the life of another freedom fighter Bijoy Ghosal. A woman named Subhra Sarkar, received some ugly treatment from the ruling British Government. She was brutally tortured. After the independence, Mohit Moitra is accused for doing the leftist activities and at the same time Bijoy Ghosal betrayed him. This is a tragic story of the people who sacrificed their life for the struggle for independence.
Mohit Moitra is a leftist worker and convicted for Kakdwip Sarajantra Mamla. He always fights for the human rights. He also remembers that he was a committed freedom fighter. Once he didnâ€TMt care for his life and took a great risk to save the life of another freedom fighter Bijoy Ghosal. A woman named Subhra Sarkar, received some ugly treatment from the ruling British Government. She was brutally tortured. After the independence, Mohit Moitra is accused for doing the leftist activities and at the same time Bijoy Ghosal betrayed him. This is a tragic story of the people who sacrificed their life for the struggle for independence.
