
Acting
Uta Erickson (who often used the stage names "Artemidia Grillet" and "Carla Erikson") was a Norwegian actress who was in many sexploitation films of the late 1960s. She starred in several provocatively titled films directed by Michael and Roberta Findlay, including The Kiss Of Her Flesh, A Thousand Pleasures, The Curse Of Her Flesh, and The Ultimate Degenerate. Erickson was also a favorite of directors Doris Wishman (Love Toy) and Barry Mahon (Sex Killer). Some of her films, notably Mnasidika were arty enough to pass as the "low end" of an arthouse pairing with a film by a European auteur. Ms Erickson's current whereabouts, or even if she is dead, or alive, are unknown.

Man drugs, photographs & tortures women he meets by personal ads.

Cruel, conniving Norma Sue returns to her backwoods hometown with her stud lover to wreak havoc on the local denizens. Her main target is her sexually repressed sister, who runs the local hotel. At the same time, jobless slacker Billy Joe commences an affair with a broke immigrant lady whose husband is overseas. Pressured by his cheating wife to earn some cash, he decides to pimp his new paramour. Norma Sue's scheming eventually involves all these characters in intense, often nasty, interlocking liaisons, betrayals, seductions and violations

A gang of horny, sadistic juvenile delinquents looking for kicks invades the suburban home of a housewife, injects her with dope and waylays her. A passing saleswoman receives similar treatment. The gang steals the housewife's car and heads for the open road. They hijack a bus, kill the driver when he objects, and assault two female passengers, one of whom enjoys it. She convinces her friend to play along, and they all get their kicks

A sleeping woman leaves her body and finds herself in a series of bizarre, surreal and highly lascivious scenarios.

Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.

Satan is back, and he's hungry for more. There is no forgiveness for the chosen beauties he compels into submission. They fight, they claw, they spit and they shriek. Satan finds pleasure and in this pleasure, he feeds his craving for flesh. These are the Sex Slaves of Satan. Like the original Sex Slaves of Satan, the sequel features some of the more extreme scenes created in what has come to be known as the Golden Era of XXX movies. Handpicked from the vault of VCX the films represented are: Angel Above, Devil Below, Easy, Call Girl, Saturday Night Special, Bacchanale, Two At Once, Joy of Fooling Around, Visions of Clair and Vista Valley PTA.

A degenerate gambler, unable to come up with the cash necessary for a high-stakes gin rummy game, bets his nubile daughter. And loses. His daughter becomes the delectable property of a hot-to-trot sex fiend and becomes involved in a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, among other retrogrades.

A magician/hypnotist gets the idea that he can make more money (and have a better time) by starting a sex cult than by continuing his magic act, so he becomes Brother Eros whose motto is "Love is all that counts."

A loner who works in a mannequin factory stalks and strangles women in Times Square.

Sickening image of love, sex, death and birth in black and white.

