Aliza mizrahi, the building cleaner, solves a murder where the police fails

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

A slapstick comedy lampooning bureaucracy and the madness of everyday life in Israel centers on an escaped lunatic who digs up the streets of Tel-Aviv with a drill.

Gote and Eli are two aging friends who don't want to age. Gote is a lifeguard who's fighting peepers on the Tel-Aviv beach. Eli is a guitar player who dreams of building a night club in altman's restaurant.

Professional big-dude Paul Smith in an Israeli-produced action-comedy that looks to take inspiration from the Hill/Spencer comedies.

Bumbling private detective Schwartz and his equally inept part Simcha are hired by a man to find out if the man's wife is cheating on him with the family doctor. The blundering duo run afoul of mobsters and experience other mishaps during their investigation.

Comedy about day to day life of a Gordon beach lifeguard and his friends.

An experimental and absurd avant-garde film about a bunch of unrelated people, all standing on the side of the road waiting for the traffic light to change from red to green, but the traffic light won't change. More and more people gather on the sidewalk, and a kind of class society is formed there. The film was shot during one day in which Ephraim Kishon lent Uri Zohar the set of "Blaumilch Canal" at Herzliya Studios.

A musical, semi-documentary motion picture considering the making of "Shablul", a rock album by Arik Einstein and Shalom Hanoch. The film demonstrates fragments of being, a few funny sketches and musical numbers, much affected by The Beatles' flicks. "Shablul" reminds its viewers the taste of 60s, showing them the Israeli pop/rock scene of these jolly years.

A group of children embrace an eccentric old man, and working together, build a ship on a rooftop.