Documentary about the making of Man From Deep River.

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...

Farley Wood is hired to escort a rich widow of a DEA agent and her kid to the tropical island of San Cristobal. The widow needs protection from a gang of international terrorists and her escort soon suspects that the deceased husband was involved in dirty drug dealings. While on the island, the daughter is kidnapped by a group of seedy South American thugs and held for ransom. The cop escort gets official orders to leave the case to the FBI, but he decides to his own investigating and finds that the crime may have had political motivations.

Tarantino reveres them, and for good reason. Welcome to the world of the kings of the Italian B-Movie.

Documentary examines the extraordinary success of the Edgar Wallace series in Germany: the British writer who provided the inspiration for the films was actually out of fashion worldwide in the 1950s - too old-fashioned, too dignified, too boring. Only in Germany was it different, because there was a need to catch up after the end of the Second World War. The National Socialists had banned crime thrillers in general and Edgar Wallace in particular. With a few exceptions, the Edgar Wallace films were therefore the first since the expressionist films...

2 1/2 hour-documentary on the rise and fall of one of the most controversial Italian genres every created. Starting with Deep River Savages arriving to the infamous Cannibal Ferox.

Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.

An interview of Umberto Lenzi discussing the making of his film Almost Human.

An interview with legendary Italian director Umberto Lenzi regarding his cult film The Cynic, the Rat and the Fist.