Buster is a seriously-demanding, frantic child who forces his family to seek treatment and a cure for his manic behavior. During treatment conducted by a naturopath, the father is taken deeper behind his son's motivations, uncovering what seems to be a crucial problem in modern society. One in four children in America is treated with tranquilizing medicine, and in Europe leading doctors and child psychiatrists are calling out to bring attention to this increasing problem. How do we deal with frantic children?

Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck's classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch's Lennie becomes a running joke, and so has, Dirch believes, his own life.

In every moment we make choices that define our being; choices that create shapes and patterns and carve out our lives. Until the pattern is broken – by faith, decision or coincidence. In Real Life is about such moments, where lives are drastically changed. As a multi-plot drama, created out of three years of acting improvisations, In Real Life follows three story threads with characters who come together by internet dating and by their persistent search for some kind of meaning in life between love and sheer survival.

Simon moves from Copenhagen to Vesterby, where he meets Bjarke - the city's alpha male and heir to the local speaker empire. The two outsiders begin to challenge each other in cross-border actions, and the friendship grows. But when fraud forces the loudspeaker factory to go bankrupt, the city disintegrates, and Bjarke's family is blamed. Anger arouses the beast in Bjarke, and Simon must now choose whether to try to save his friend or withdraw from the course that Bjarke has set - towards his and Vesterby's downfall.

The steward Walter and the cobbler Carlo is tasked to provide not the Little, but the High Mermaid to two agents in Kennedy airport in New York. Already on arrival complicate the hapless heroes into a series of spy intrigue involving agents from both sides of the Iron Curtain