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Have you ever felt like punching a person on a train? Sunao is a boy who understands that there is no right thing or right person in the world, but he is obsessed with the fact that there are too many wrong things and wrong people in the world. In the closed room of the train, a microcosm of the world, are the scenes Sunao encounters a mirage or reality? Is the other boy who follows him an illusion created by Sunao, or is he an alter ego of the world? This is an instantaneous spatial film that expresses through a boy with an inner weakness the fantasy that everyone has of being able to hit a noisy woman or a pompous man who happens to be in the same carriage as him. The filming on the train, which must have been done guerrilla style, makes us feel the speed at which the train runs.
Experimental 8mm short by Akira Hoshino.
A woman gazes at the television while she irons as she falls in love with a murderer in the news. A young woman living in a dilapidated flat falls in love with a man who is wanted for the murder of a college girl and is reported on the news every day. She scraps his press photos and talks to his wanted posters on the street. But her secret happiness is short-lived, and the day comes when the man is arrested, despite her pleas for him to run away. She cries as she listens to the news, and when the wind blows in her room, all that is left is... A sad and fantastic love story, with a surprising twist at the end. The iron that the woman keeps in her room, the laundry, is a symbol of her feelings for the man, but because it is white in colour, the more it increases, the purer the effect of her feelings becomes.
Shot in Venice by the sea at night, struck by a thousand lights.
Second film of Akira Hoshino's "Closed School Trilogy".
