The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.

A story set in revolutionary China, whose proletariat suffers and starves, but refuses to be passive and rises to decisive resistance. Even the artists believe in the victory of the working class, and the symbol of this victory becomes the red poppy, a flower given by a sailor from a Russian ship that brought the much-prized flour to China as a gift to the Chinese comrades.