In the Upper Room is a dance/theater collaboration between choreographer Twyla Tharp and composer Philip Glass. In the Upper Room from 1986, with music by Phillip Glass, choreography by Twyla Tharp. It's really impossible to convey in words just how brilliant this 40 minute piece is.

Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.

Seamlessly blending elements of movement and music, Twyla Tharp choreographs a rock 'n' roll dance spectacular, set to a score by former Talking Heads front man David Byrne. Adapted for television by Tharp from the original Broadway production, this memorable performance showcases the talents of dancers Sara Rudner, Jennifer Way, Tom Rawe, Katie Glasner, Raymond Kurshals, Shelly Washington, Christine Uchida and John Carrafa.

The twinkle of Frank Sinatra's "Ol' Blue Eyes" melds with the beauty of ballet in this innovative program starring world-renowned dancer Mikhail Baryshnikov and members of the American Ballet Theatre. Choreographed by the legendary Twyla Tharp, three performances -- "The Little Ballet," "Sinatra Suite" and "Push Comes to Shove" -- bring Baryshnikov's terpsichorean talents center stage and rekindle Sinatra's magic.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Takarazuka Revue 2003 Star Troupe production based on the MGM film Singin' in the Rain

Takarazuka Cosmos troupe 2008 production of Singin' in the Rain

After his plane crashes in Siberia, a Russian dancer, who defected to the West, is held prisoner in the Soviet Union. The KGB keeps him under watch and tries to convince him to become a dancer for the Kirov Academy of Ballet again. Determined to escape, he befriends a black American expatriate and his pregnant Russian wife, who agree to help him escape to the American Embassy.

Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His budding relationship with attractive production assistant Cathy Breslow is made complicated, while the precocious child is overly accustomed to getting her own way. Matt eventually faces the choice of family vs career in a particularly difficult way.