Acting
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Lei Li lost his right-arm in a sword duel with the master of a martial arts school, long ago. Now, he is able to defend himself well with just his left arm, and kung fu techniques. That he proves with just the help of his friend Chung-Chieng, when he crosses his path with a beautiful girl in need, Pao Chiao. Even against impossible odds, he will prove a great warrior.
Golden Sparrow is a fighter-for-hire who has been contracted by the local government to retrieve the governor's kidnapped son. Holding him is a group of rebels who are demanding that their leader be released from prison in return for the captured son. After a brief encounter with the gang at a local restaurant, Golden Sparrow is joined by an inebriated wanderer Drunken Cat who aids her in her mission.
A dangerous criminal escapes captivity – but luckily crime-busting super-swordswoman Leng Rushuang (Shih Szu) is on his trail. However, she has doubts about his guilt, and she's not going to stop fighting until she's sure the right man is being punished.
A noble swordsman, whose arm had been chopped off, returns to his former teacher to defend him from a villainous gang of rival swordsmen.
Golden Swallow revolves around the further adventures of its title character. This time around, she is forced into violence when a figure from her mysterious past goes on a killing rampage while leaving evidence that holds her responsible. Golden Swallow also makes room for a love triangle involving a mad, but righteous, swordsman named Silver Roc and a gentle warrior named Golden Whip. The three team up to conquer the evil forces of the martial world, but their joint venture only lasts so long, due to the two men's egos. Ultimately, a duel to the death is planned between them, leaving Golden Swallow caught between two men, both of whom she admires.
A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.
Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.
Leaving the poverty of his life in Shantung to seek fortune in Shanghai, The Boxer is instead drawn into a world of corruption, gang warfare and evil... Where his only protection is his famed fighting technique.
Cheung Yan-Lai, framed by his elder brother Cheung Yan-Tsuen, is sent to jail. He manages to escape and plans to take revenge along with a sorcerer, who uses orangutan blood to turn the Yellow Hair Monster into a lethal weapon.
A violent martial artist is bent on avenging his older brother, who was killed by a cabal of four wicked businessmen and a cheating wife.