The salaryman is the object of admiration in the world. Because there is no more carefree job than this, this cheerful song comedy is set to the hit melody of the Hajime Hana and the Crazy Cats.

1962 Japanese movie

1962 Japanese movie

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

A young man named Kijima who works as a pianist in a small bar is surprised when one of the customers asks if he won't pretend to be the fiance of his sister. He is even more surprised when he is offered a million yen to play this apparently harmless role. Actually, it is anything but harmless. Both the customer and his sister are involved in a jewel robbery in which they have double-crossed two of their accomplices who are now out of prison and thirsting for revenge.

1962 Japanese movie