The Warring States Period was a time of regional conflict as warlords sought to annex their neighbors and consolidate power across China. Set amidst this backdrop, "Fire Bulls" is an epic tale of the survival of a people and the heroism of one man. As the Yen army gathers on the outskirts of Chi seeking to gobble up its neighbor, the people of Chi are faced with the fall of the capital.

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

Chinese folklore has it that during ancient times, thousands of crows randomly attacked and killed inhabitants of Feng Village just outside of the Great Wall.

HK drama fantasy film.

The story is based on a play written by famous playwright Yao Yiwei whose work takes adaptation from the novel in Sung Dynasty. The film describes Xiuxiu, a daughter of an aristocrat,who falls in love with her cousin who is a talented sculptor. Nevertheless they experience all kinds of difficulties during the process of trying to get married.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

In this Chinese version of The Phantom of the Opera, the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.

Lau Leung-wah plays the titled character, a Chinese Robin Hood who robs the rich to help the poor. She is an early Republican Era Mulan, who switches effortlessly between charming gentility and agile ferocity, and Lau personifies her character's duality with a balance of grace and vigour. Chang Cheh, on the verge of fostering seismic changes in cinema with his martial-arts machismo, pens a script that captures the spirit of changing Chinese womanhood, underscored by a conflict between Black Butterfly and her father, a veteran detective.