In the 1950s, A-Bao and her friends were women in pants who felt attracted to women. They named themselves the "Thirteen Rogue Girls ". They customize the all black suit , set the fashionable hairstyle, hung around night club. At these places, the clubs became the heterotopia wher they could be lesbians. However, in day, they’re just the decent women in the neighborhood, helping father with the store, or looking after the kids, and cooking at home.

Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.

What could possibly turn a shy, quiet nerd into a voyeur? A long, lazy summer coupled with endless boredom? Sometimes through his binoculars and other times loitering on campus, a secondary student seeks to get an early taste of what university life has in store for him, dropping in on lectures, stalking the object of his gaze and lurking within her personal spaces. Feeding on a voyeuristic and borderline intrusive look into the lives of others, the voyeur remains at distance an idle walker and casual observer of a time and place charged with passion of a political (and sexual) nature, until his path crosses with hers and the two finally converge…