An actress preparing to play in a historical epic is terrorized by someone faxing her pages from her stolen diary; has colorful flashbacks of her affair with a now-deceased man; and imagines black-and-white film-within-a-film scenes of the movie she is about to appear in.

The story centers on CHEN Wei and her daughter, seeking refuge from CHEN Wei’s violent husband in the Butterfly Mansion, known for its eerie reputation as a suicide hotspot. Strange events unfold, and warnings from Uncle LIANG, the building’s janitor, and Uncle Shan, the temple caretaker who lives on the top floor, about the unsafe floor are ignored due to financial constraints. Neighbors like Ah Di, who sees spirits, and the forbidden Room No. 613, intensify CHEN’s unease. Substitute manager Xiao Liang cares for CHEN, with her daughter showing joy in his visits. As the Chinese ghost month progresses, supernatural events escalate, revealing a crisis beyond CHEN Wei’s initial struggles.

A cute coed leaves her mother's home and gets involved with a pastry chef who has links to the local criminal element.

A-Te used to be a social movement fanatic. But after suffering the pain of divorce and the death of his child, he changed his profession and became a taxi driver. Ma Le, a young aboriginal man, came to Taipei alone to earn a living on construction sites. However, unable to bear the exploitation, and in a rage, Ma Le accidentally killed a site superintendent and was sentenced to death. A-Te gave Ma Le a ride in his taxi on the night that Ma Le committed the killing and their two fates were thereafter intertwined.

The day Liao was discharged from prison with his maimed right hand was also the day Nan was forced to retire. Nan will no longer be the head of CIB, just as Liao will no longer be a pickpocket. Liao wants to find the young pickpocket who called him “Daddy” back then, while Nan misses his daughter badly, who hated him profoundly and was unwilling to forgive him. So the two desperate old fellows start trying to find their last hope.

Sega's children, born into post-war Chinese rule, can't relate to their father's love for Japanese culture, having grown up under Japanese rule before WWII.

A-Guo and A-Dou are two teenagers living in an industrial town in Taiwan, who fight, loaf, and cause trouble all day and hang out with Jie, a young gangster. When Jie's gangland patron is gunned down, the trio set out to revenge the killing. As a result, the two teens are forced into hiding.

In Taiwan, a young woman, Lin-Lang, is released from prison after serving ten years for terrorist activity. She had turned to bomb making in grief after her mentor and lover, An Rong, who was also her university professor, was arrested for political activity and, she presumed, executed. In prison, she learns Rong is alive, and she maintains her spirits and sanity for the years in her cell by holding imaginary conversations with him. When she is released, she discovers he is married, has a child, and lives conventionally. She finds him; he's not happy to see her. How she reacts to losing the center of her life becomes the subject of the film.