The Berlin Volkseigene Betrieb (VEB) Komet is planning a company outing. Willi Redlich, member of the party committee, votes like the others: The relatives stay at home. But he doesn't dare tell his wife Susanne. So she does the work of renting the "Waldschlösschen" restaurant for him - without his knowledge. When Willi wants to book the seats, everything is fully booked and he switches to the "Sonnenburg" opposite. Meanwhile, word has gotten around among the women that they are excluded. They plan a counter-event. On the day of the excursion, both groups are sitting in their inns and the women make sure that they can still celebrate together.

Lotte Wohlfahrt, the typist, is just like all the young women of the petty bourgeoisie of that era, who dream only of happiness, prosperity, and a nice young man.

If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.

The cousin of an ugly duckling, during a search for missing documents, brings out her hidden charm and falls in love with her.

Musical vehicle for up and coming Dolly Haas, as a would be actress with a would be composer boyfriend. She sings,at one point, that she has the walk of (Lilian) Harvey, the mouth of Garbo and the legs of Dietrich.

Based on the real life events of the 1927 Steglitzer Schülertragödie, in which several high school students planned murder-suicides.

A pregnant teenage couple consider their options.