By living his entire life fearing the prejudice of others, Aksel inadvertently made himself the source of true bias. Now, the real victims of prejudice will be revealed, as his secret is laid out for the world to see.

By living his entire life fearing the prejudice of others, Aksel inadvertently made himself the source of true bias. Now, the real victims of prejudice will be revealed, as his secret is laid out for the world to see.

The ABCinema group dispatched Jørgen Leth to make the arrangements with Prime Minister Jens Otto Krag, who good-naturedly put himself at their disposal. Relaxing on a bench in the garden of Copenhagen's Royal Academy of Fine Arts, Krag is scrutinised by camera-wielding collective members almost like a model in a life-drawing class. Every possible angle, distance and framing is tried. The result is an image of the prime minister that is both fragmented and multi-facetted, describing his visual appearance as a man and an icon. At the same time, the ABCinema members film each other filming Krag, which gives the film a highly self-reflective character. Like "The Deer Garden," this is a film about a film being filmed. A showdown with the documentary portrait genre, "Jens Otto Krag" is devised according to the principle of keeping the material alive by not editing it but randomly piecing it together. (DFI)

A depressed son and his militant father go through a psychological and physical journey in an extreme attempt to save the son from his suicidal tendencies.

The story is centered on the stubborn farmer Ernst and his wife Louise who are celebrating their 50th anniversary with a traditional Danish gold wedding for friends and family. However, the family carries several secrets and Ernest holds on to the biggest one of them all. Through one long joyous, intoxicating, surprising, gripping and melancholic night, the truths creep out and the family is put to the ultimate test.