
Acting
Tracy S. Letts (born July 4, 1965) is an American actor, playwright, and screenwriter. He started his career at the Steppenwolf Theatre before making his Broadway debut as a playwright for August: Osage County (2007), for which he received the Pulitzer Prize for Drama and the Tony Award for Best Play. As an actor, he won the Tony Award for Best Actor in a Play for the Broadway revival of Who's Afraid of Virginia Woolf? (2013). As a playwright, Letts is known for having written for the Steppenwolf Theatre, Off-Broadway and Broadway theatre. His works include Killer Joe, Bug, Man from Nebraska, August: Osage County, Superior Donuts, Linda Vista, and The Minutes. Letts adapted three of his plays into films, Bug and Killer Joe, both directed by William Friedkin, and August: Osage County, directed by John Wells. His 2009 play Superior Donuts was adapted into a television series of the same name. As a stage actor, Letts has performed in various classic plays with the Steppenwolf Theatre since 1988. He made his acting Broadway debut as George in the revival of Edward Albee's play Who's Afraid of Virginia Woolf?, which earned him a Tony Award for Best Actor in a Play. He continued acting on the Broadway stage in The Realistic Joneses, All My Sons, and The Minutes. On television, he is known for his portrayal of Andrew Lockhart in seasons 3 and 4 of Showtime's Homeland from 2013 to 2014, and pyramid-scheme con-artist Nick on the HBO comedy series Divorce from 2016 to 2019. He played Jack McKinney in the HBO sports drama series Winning Time: The Rise of the Lakers Dynasty (2022–2023) for which he was nominated for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series. On film he has portrayed Henry Ford II in James Mangold's sports drama Ford v Ferrari (2019) and Herb Sargent in Jason Reitman's biographical comedy-drama Saturday Night (2024). He has also taken leading roles in The Lovers (2017) as well as supporting roles in The Big Short (2015), Indignation (2016), Imperium (2016), Lady Bird (2017), The Post (2017), Little Women (2019), and A House of Dynamite (2025). Description above from the Wikipedia article Tracy Letts, licensed under CC-BY-SA, full list of contributors on Wikipedia.

These plays, all written by Tony and Pulitzer-winning playwright and Steppenwolf ensemble member Tracy Letts, share at least one thread: a world off-kilter. These gripping pieces create the opening landscape of this season and will mark a bridge between where we have been and where we are going.

A young girl from an affluent family rebels and becomes involved with a much older photographer.

A day in the life of a Chicago cab driver is examined as he picks up fares from the good and bad parts of the city and emotionally connects to many of his passengers.

Janice is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims.

In 1974, television reporter Christine Chubbuck struggles with depression and professional frustrations as she tries to advance her career.

In 1970, a few days before Christmas, Elvis Presley showed up on the White House lawn seeking to be deputized into the Bureau of Narcotics and Dangerous Drugs by the President himself.

The men who made millions from a global economic meltdown.

A haunting psychological thriller based on one of America's most infamous figures. After the Waco siege, a chilling plan brews in the mind of army veteran Timothy McVeigh. What follows are the harrowing real-life events of the deadliest act of domestic terrorism in American history.

Nate Foster, a young, idealistic FBI agent, goes undercover to take down a radical white supremacy terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy. Inspired by real events.

A dachshund passes from oddball owner to oddball owner, whose radically dysfunctional lives are all impacted by the pooch.

In Oklahoma, Agnes, a lonely waitress living in an isolated and dilapidated roadside motel, meets Peter, a quiet and mysterious man with whom she establishes a peculiar relationship.

In Oklahoma, Agnes, a lonely waitress living in an isolated and dilapidated roadside motel, meets Peter, a quiet and mysterious man with whom she establishes a peculiar relationship.

A cop who moonlights as a hit man agrees to kill the hated mother of a desperate drug dealer in exchange for a tumble with the young man's virginal sister.

An intense look at the lives of the strong-willed daughters of the Weston family, whose paths have diverged until a family crisis brings them back to the Midwest house they grew up in, and to the dysfunctional mother who raised them.

These plays, all written by Tony and Pulitzer-winning playwright and Steppenwolf ensemble member Tracy Letts, share at least one thread: a world off-kilter. These gripping pieces create the opening landscape of this season and will mark a bridge between where we have been and where we are going.

An intense look at the lives of the strong-willed daughters of the Weston family, whose paths have diverged until a family crisis brings them back to the Midwest house they grew up in, and to the dysfunctional mother who raised them.

An agoraphobic woman living alone in New York begins spying on her new neighbors only to witness a disturbing act of violence.

An agoraphobic woman living alone in New York begins spying on her new neighbors only to witness a disturbing act of violence.

A cop who moonlights as a hit man agrees to kill the hated mother of a desperate drug dealer in exchange for a tumble with the young man's virginal sister.



