
Directing
Trần Anh Hùng (born December 23, 1962; Đà Nẵng) is a French filmmaker of Vietnamese ancestry. Hùng was born in Mỹ Tho, South Vietnam. Following the fall of Saigon at the end of the Vietnam War in 1975, he immigrated to France at age 12. He majored in philosophy at a university in France. By chance, he saw Robert Bresson's film A Man Escaped and decided to study film instead. He went on to study photography at the Louis Lumiere Academy, which trains cinematographers. Hùng has been at the forefront of a wave of acclaimed overseas Vietnamese cinema over the past two decades. His films have received international fame and acclaim, and his first three features were varied meditations on life in his home country Vietnam. Hùng's Oscar-nominated debut (for Best foreign film) was The Scent of Green Papaya (1993), which also won two top prizes at the Cannes Film Festival. His follow-up Cyclo (1995, which featured Hong Kong movie star Tony Leung Chiu-Wai), won the Golden Lion at the Venice International Film Festival. The Vertical Ray of the Sun, released in 2000, was the third film in his "Vietnam trilogy." After a sabbatical, Hùng returned with the noir psychological thriller I Come with the Rain (2009), which featured a star-studded international cast including Josh Hartnett and Elias Koteas. Hùng directed Norwegian Wood, an adaptation of Haruki Murakami's novel of the same name, which released in Japan in December 2010. After Eternity in 2016, his return in a French production, The The Pot-au-Feu, is announced in February 2022, with Juliette Binoche and Benoît Magimel in the cast.

Kline, a former Los Angeles police officer turned private detective, is hired by a powerful pharmaceutical conglomerate boss to investigate in Asia the disappearance of his only son, Shitao, whom he has not seen in person since the boy was ten. Now in his 30s, Shitao has gone missing in the Philippines where he had been helping in an orphanage.

Kline, a former Los Angeles police officer turned private detective, is hired by a powerful pharmaceutical conglomerate boss to investigate in Asia the disappearance of his only son, Shitao, whom he has not seen in person since the boy was ten. Now in his 30s, Shitao has gone missing in the Philippines where he had been helping in an orphanage.

Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.

Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.

Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.

Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.

1950s Saigon through the eyes of Mui, a Vietnamese servant girl. At 10 years-old, Mui leaves her village to work for an affluent, troubled family. As she comes of age, Mui finds work in the household of a pianist she has admired since childhood, and finds their relationship growing in complexity.

1950s Saigon through the eyes of Mui, a Vietnamese servant girl. At 10 years-old, Mui leaves her village to work for an affluent, troubled family. As she comes of age, Mui finds work in the household of a pianist she has admired since childhood, and finds their relationship growing in complexity.

Set in 1889 France, Dodin Bouffant is a chef living with his personal cook and lover Eugénie. They share a long history of gastronomy and love but Eugénie refuses to marry Dodin, so the food lover decides to do something he has never done before: cook for her.

Set in 1889 France, Dodin Bouffant is a chef living with his personal cook and lover Eugénie. They share a long history of gastronomy and love but Eugénie refuses to marry Dodin, so the food lover decides to do something he has never done before: cook for her.


