Acting
Tony Wu Tsz-Tung is a Hong Kong actor and baseball player best known for his debut role in the sports film Weeds on Fire, which earned him Best New Performer in the 36th Hong Kong Film Awards.
A story on how a policeman faces a mistake he made 20 years ago when investigating a crime-of-passion murder case.
A computer expert accidentally falls into the conspiracy of online financial crime and has to seize the time to participate in the struggle.
Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyric-writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way?
Rapunzel: While attending the birthday celebration of the scion of some record company, an ex-hair model who aspires to make a comeback in the entertainment business gets her tresses burnt by a spoiled brat. She walks into a hair salon to salvage her sole pride and joy, only to meet her most macabre end. Cheshire Cat: A woman whose cat was gruesomely disemboweled in the street has since opened a feline rescue center. When a man who poses as an animal lover alerts her to a potential case of cat torture, she accompanies him to the scene, only to realize that he is the real perpetrator and his next target could be human. Tooth Fairy: A dental nurse befriends a chef in the street. When he visits her clinic to check on his teeth, he is tortured by the dentist who fancies her. The morning after, the dentist is found murdered in the clinic. All fingers point to the chef who happens to be mentally unstable. Little do the police know that the real culprit is still at large.
In one of his finest dramatic performances yet, Louis Koo stars as a veteran ambulanceman who simply wants to do his job without any interference from his boss. While he considers emigrating with his daughter, he clashes with his new partner, a young go-getter on the fast-track up the bureaucratic ladder. A mature directorial effort by Cheuk Wan-chi, this dramedy about Hong Kong’s civil service culture and the latest emigration wave is a charming, yet sobering love letter to her city and its people, especially those who still remain.
In 1980s Hong Kong, troubled youth Chan Lok-kwun, a mainland refugee, struggles to survive in the Kowloon Walled City by joining underground fights. Betrayed by crime boss Mr. Big while trying to buy a fake ID, he steals drugs from him and seeks refuge in the Walled City, where he encounters Cyclone, a compassionate yet authoritative crime lord.
Wah and Yee are two young strangers who live next to each other in subdivided units. In February 2022, at the peak of the pandemic, they first become aware of each other’s existence when both are tested positive for COVID-19 and are required to self-isolate at home. The two soon form a bond through music, rekindling their passion for life. Like the partition between the two units is no barrier against the flow of music, social isolation does not bar the growing affection between them. But when the quarantine ends, they become hesitant: Will the magic survive beyond the protective/restrictive wall? A pandemic and local version of Begin Again (2013), the two characters bare their hearts as they chase their dreams amid struggles through music and lyrics.
When a meteor carrying a destructive plant strikes the world, a suicide squad is given hours to save their post-apocalyptic city from total collapse.
When Hong Kong is rocked by multiple gruesome murders, the police forms a task force to investigate.
After a destructive dust storm engulfs a mining camp in an isolated island, power in the industrial facilities went down. Raven, a blind technician, is now stranded on the island with his fellow crew members. To make matters worse, they find themselves fighting for their lives when their camp comes under attack from a mysterious creature whose gaze could turn a living being into a decaying corpse.