Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Made for TV movie based on a true story, an aspiring New York City sportscaster's life is on the slow track until he serendipitously gets the old cell phone number of a basketball superstar. Will the number be his ticket to success or a path to destruction?

Four adult children return home for a family dinner at their parents' New England house for the first time since the eldest son's marriage four years earlier, when something happened to keep them apart. Everyone joins in the cooking, gossip, laughter and teasing, and they all enjoy a formal dinner together until boundaries blur and tension and confrontation between the brothers lead to a shocking discovery. Exposed out in the open, this secret threatens to destroy the delicately balanced dysfunction of the family. Will this shatter their collective reality or will they go on as if this ripple under the calm waters never happened? This family is destined to repeat past transgressions and keep secrets hidden from the world, each other and themselves.

Van, the brave son of a tooth fairy leader, meets the goblins girl Gemma on his first mission. Despite the myths about ancient disputes between fairies and goblins, they share common values. When the greedy Spider Queen threatens both tribes, they must work together.