The first days of war in Ljubljana. The young hero Niko experiences the bloody and violent transition from childhood to manhood. Based on the novel by Beno Zupancic.

Three brothers struggle to survive on the harsh, inexorable and melancholy plains of Slovenia's Prekmurje region. The oldest flees from home in search of a better living, the middle brother survives by refusing to comply with tradition and the youngest, who received his education as a vet in the city simply cannot get used to the slow pace of country life. Will their father live to see the day when respect for the traditional ways will heal the wounds of the impoverished land?

Three mutually intertwined stories from the present time are reflecting, complementing or contradicting one another. Throughout the film, the naked parts of a wounded humaneness are shown with a gentle irony. Baker Blaž is driven mad by alcohol and monsters of the hot summer days.

A partisan battalion falls into enemy trap more than once, which makes them suspect it's about treason. Their commissar and commander move the unit in a remote settlement in order to discover the enemy agent. This draws a lot of suspicion and distrust within the unit, and finally it was the head of the battalion who was charged as guilty, and executed. However, was he the real intruder? The commissar and the commander take the battalion to a new battle without definitive knowledge of the whole present situation.

Šelig's heroine Agata lives torn between everyday, real life and the eternal woman within her: a woman who connects Agata with the mythical, the archetypal, the forces of nature and the primal elements. The primal forces and energies of life intrude into Agata's everyday life of voluntary servitude or passive devotion. Agata experiences them as a possibility for a different existence, while Agata Schwarzkobler's triptych, with its depiction of Agata's double image, presents the viewer with the eternal mystery of human existence.

The events surrounding the liberation of Skopje.