Two young men come to visit their friend, who, after an unsuccessful suicide attempt, spends his daily life in a remote country house. Spending a seemingly peaceful day together, the two young friends leave their friend with the hope that he will recover soon.

While the whole world is overwhelmed by revolutions of different shades, the leading tandem of the Small Theater - Ivars and Armands is working on a new historical play set in 18th century France called ‘Revolution’. A week before the premiere the favorite of audiences and critics Armands receives a tempting offer to pursue his career at the Grand Theater. Betrayed by his best friend, Ivars gradually loses touch with reality. Themes of the play ‘Revolution’ starts to intertwine with Ivars personal life until he becomes unable to distinguish truth from fiction and that brings the Small Theater closer to an inevitable catastrophe - the act of terrorism at the evening of the premiere.

A bureaucrat who has just declared himself as a new political force has disappeared… in a canteen; police are investigating. Combining the absurd and black humour, a harsh and ironic reflection on civil servants, cops, and contemporary art.

The closed microcosm of garage co-ops, where the socio-economic environment has blended with personal space, provides a step back in time. Men are still boys, but their tinkering is both the trade and hobby of individual entrepreneurs, since self-exploitation as leisure time activity is a time capsule where neoliberalism has enclosed the postindustrial proletariat. Inventors, geniuses, crazy scientists, and men with golden hands - you will find them in garages.

“Mierjema” in Liv means “to be by the sea”. The film documents a very diverse population of Latvia that lives, works and spends time on the shores of the Baltic Sea. In the form of short, kaleidoscopic stories the film captures and reflects on people’s habits, needs and dreams. To what extent the importance of the sea is to meet our basic needs and - how important is it to our spirit?

Jonas pretends to be blind and enters a TV dance contest, where he meets his attractive dance partner Saule. Soon they become the show's most popular contestants. While the whole nation thinks that Jonas is blind, Vytas, an old acquaintance of Jonas, is released from prison. As reminders of the past keep creeping up on them, Vytas is suppressing contradictory feelings - to seek revenge or forgiveness in such a manipulative world - for sins that were and for sins to be made.

Self-proclaimed cryptocurrency expert Fatso is a middle-aged curmudgeon frittering away his days with video games and conspiracy theory videos. Obsessed with the concept of eternal life since childhood, Fatso experiments with various quack theories in the hopes of becoming immortal, despite his miserablism. When Egons and Carlos inexplicably appear outside of his remote woodland trailer, asking for an invitation inside, they bring glad tidings that he has recently been selected as “the chosen one.” Appealing to his nature as a “cowardly, passive, antisocial sluggard,” who has squandered his humanity so thoroughly that the transition to undead would prove practically seamless, the friendly duo make promises of a new, more fulfilling life as a vampire.

An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants

Through the prism of three distinct characters, the 24-year-old director conveys an intimate and sensitive portrait of his own generation, wanderers looking for their place in the new and uncertain world. Dancer Tanya moves to Mississippi where she finds love with a paraplegic wheelchair basketball trainer who is more than 20 years her senior. App developer Tomass abandons the life he had before and becomes a world-travelling digital nomad. Avant-garde publisher Valters collects toilet seats in a poetically performative attempt to overcome past trauma.

Three young men head to an isolated country house to shoot a film that they hope will bring them fame. They have no experience, but possess the will to change their lives. They make various attempts, but none seem to work. The team comes to a creative impasse, but the stakes are too high to give up. In hopes of drawing out their talents, they spend more and more time chipping away at each other. Previously hidden character traits come to light further complicating their relationship and the making of the film. Soon it's each man for himself. Just when the experiment seems utterly failed, one of them is discovered dead. It's not clear whether it's accidental, suicide or murder, but a real body in the scene satisfies - this could be the start of The Film.