Ruby has nothing in Melbourne: no home, no job, no friends, no contacts.

Two teenagers in a suburban development channel their confused romantic tension into a series of violent and flirtatious dares. 'Development' documents a moment in time when the pair's push-pull relationship reaches a breaking point.

Automata is the eerie, black-humoured story of Henry, the last in a long line of duck hunters. The film examines the connection between hunter and prey and obsession in the face of extinction. It posits the question 'what would happen to someone at the tipping point; the moment where they are directly responsible for the extinction of an entire species' Duck hunting in Australia is a very contentious issue and every year hunters and protesters clash. The experimental side is evidenced with the lack of dialog, non-linear narrative and a 'score' by Belgian sound designer Christina Clar. The majority of the sound tracking and design was completed before the edit in Australia, thus reversing the usual process. The sound post production was completed in Brussels and includes recordings from deep within remote caves.

Start Options Exit follows the exploits of twenty-somethings Neville Carlisle and Yolis Jenkem, street punks who have come to a freeing conclusion; If you forget stupid little things like reputation, the law, friendship and the suffering of others...well, life can be kinda fun. You can do whatever you want, getting women is easier, stupid people respect you, sometimes you can even make a little money.

A local news crew become horribly involved with a doomsday cult.

A young woman battles to survive the night at an isolated country house besieged by people afflicted with a mysterious and deadly condition.

Traffic is delayed on the edge of a roadwork site, but what are the council workers doing? A privileged encounter with a secret somber ritual of working men. This is the second in Andrew Kavanagh’s trilogy (after the successful "At The Formal’) exploring tribalism and ritual in contemporary society.

When WW1 breaks out, farm boys, Billy (Josh Davis) and Jack Kelly (Mathew John Davis), along with their cousin, Paddy (Lachie Hume), sign up, and are shipped out to serve in Europe. With Billy a dead-eye shot with a rifle, the boys are soon set up as a sniper team, mowing down Germans and Turks like nobody’s business. They become heroes, but back home, the family farm is being circled by a gang of cattle thieves, meaning that even when the war ends, the blood is set to keep flowing.

When James finds an abandoned child in his living room, their quest to track down her mother brings on a life changing decision that tests the limits of human kindness.

Jack Irish is a man getting his life back together again. A former criminal lawyer whose world imploded, he now spends his days as a part-time investigator, debt collector, apprentice cabinet maker, punter and sometime lover - the complete man really. Jack is an expert in finding those who don't want to be found - dead or alive. He helps out his mates while avoiding the past. That is until the past finds him.