Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after years of captivity. But the Vienna he comes home to is nothing like the place he once knew. The new Austrian Republic thrives on social and artistic freedom, but anti-democratic movements and unemployment loom overhead. A stranger in his hometown, his life takes a turn for the worse when one of his former comrades is murdered. Suddenly the mysterious killings of veterans are mounting. Personally connected to the victims, Perg decides to bring the killer to justice. He finds an ally in the cool-headed forensic doctor Theresa Körner, with whom he has a deeper, shared history. Their investigation leads them into the darkest corners of the city, as they confront a brutal and systematic killer and intrigues from within the police force. But when the killer’s net closes around Perg himself, he faces the moral dilemma of his life.

A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. "Office at Night", "Western Motel", "Usherette", "A Woman in the Sun") into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.

Following the failure of his last mission, RFG spy Michael Roddick decides to disappear, taking along Elena, the daughter of a Russian spy who died under strange circumstances. They settle in Barcelona and open a restaurant, to help them to forget about the past. Nevertheless, his former colleagues reappear alleging there are still some matters yet to be settled.

On her ninth birthday, Nelly locks out her mother of their family home while she keeps posting Instagram stories that become more and more worrying.

After a violent incident, Martha Müller is disillusioned with the teaching profession and decides that she does not want to get involved so much as a teacher. At her new school in Vienna, however, she is immediately confronted with a problem Ilayda. The 17-year-old Turkish student lives in Vienna with her very well integrated family. But she decided to wear a headscarf after her father's death. However, this distinguishes her more and more from her class.

They never expected Kyra to turn up again. The two brothers and their sister, brought together when their father dies, are stunned by the appearance of their sister.Kyra suddenly vanished over twenty years ago during the breakup of the hippie commune where they were all born. She is like a stranger to them now... but when she discovers that her very existence has been kept secret, she starts to uncover old mysteries. And soon all the brothers and sisters find themselves unearthing the roots of their childhood memories they had suppressed in order to survive. In her debut feature film Marie Kreutzer embarks upon an intriguing and disturbing journey into the past, a gripping study of belonging and solitude, bonds and freedom. Written by Novotny & Novotny Film

Vienna, 1937, on the eve of the annexation of Austria into Nazi Germany. The young and inexperienced Franz Huchel begins to learn about both the joys and hardships of life by working as an apprentice to the mutilated war veteran Otto Trsnjek in a small tobacco shop, where he meets the famous psychiatrist Sigmund Freud, a regular customer, who will become a valuable friend in times of chaos and uncertainty.

A family drama plays itself out in the contrasting light and shadows.

Flooding in Krumau am Kamp: three infant bodies, two girls and a boy, are found in the basement of the Trummler family's farm, which has long been uninhabited. The children were suffocated immediately after birth and buried on the spot. A dark reputation precedes the Trummlers – the word "cursed" is used more than once, after the daughter's disappearance without a trace...

What could Willow do with an entire forest? That's exactly what she asks herself when she inherits this forest from her aunt Alwina. That's not all, though - Alwina has also left her a small, crooked cabin and, most importantly, her witchcraft. But the question remains: Will Willow even accept this unexpected inheritance, with all the consequences it entails?