Spoof of romantic comedies which focuses on a man, his crush, his parents, and her father.

In the future, an Ex-Soldier is placed in virtual exercises to cure his Post Traumatic Stress Disorder. In the simulations, he sees glimpses of a mysterious girl, presumably someone from his past. When a Stranger appears in his facility offering answers, the Soldier finds himself once again asked to kill, this time for her...

Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.

Quotations From a Ruined City was first performed as a workshop production for the Los Angeles Festival in a former shoe store on Hollywood Boulevard. The production subsequently moved to a vacant pajama factory in New York's meatpacking district and went on to be presented by multiple European presenters. It was Abdoh's final work. "Quotations from a Ruined City is a sort of apocalyptic follies: an evening of song, dance, poetry, nudity and torture set in a world whose center has clearly long ceased to hold. Created and directed by the gifted young theatrical cult artist Reza Abdoh, the work is a kaleidoscopic catalogue of images of decay and destruction that range through the centuries and around the globe."--New York Times, 1994.

A nine-year-old girl with a mother in the hospital decides to live alone and fend for herself.

Join us for a screening of Reza Abdoh’s extraordinary, site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure. One of the goals of En Garde Arts’s site-specific journeys through New York’s Meatpacking District was to use the local architecture as a theatrical set while at the same time evoking and playing with the history of the place. The half-deserted cobblestone streets south of Chelsea enhanced the play’s nineteenth-century references. The neighborhood’s past as both a meatpacking and transportation hub via the High Line trains as well as a former center for after-hours sex clubs merge as perfect background for Reza’s spectacular tableaus of gluttony and lust.

A young brother and sister are abandoned in the vast and lonely landscape of the 19th century American West. Each day, they struggle to keep up the family farm, anxiously waiting for their parents to return. With nowhere to escape, the two siblings are about to discover that they are not entirely alone. As much as they try to deny the truth, something behind the attic door has awakened and they must now face their greatest fear. THE ATTIC DOOR is the story of love, loss, loneliness, and the truth behind childhood fears.

When an aged man feels the need to confess to the new catholic priest, his gay lover of many years is hurt and upset.

As the sun rises, we witness two male bodies emerge from the darkness. The younger of the two attempts to sneak out on the older man he just slept with.

Embark on a journey through celluloid from 1985 to present day in these freshly digitized cinematic pearls from around the world that explore an array of gay encounters from years gone by. The 7 short films are: Just Out of Reach (1998); Toto Forever (2010); Men Don't Cry [Οι άντρες δεν κλαίνε] (2001); Alger la blanche (1986); Unconfessions [Inconfissões] (2018); Same Difference (2002); Boychick (2001).