With his dad’s shop threatened by commercial development, Ali decides to change the building contractor’s mind by making his daughter fall for him.

Uğur, a fanatical Fenerbahçe fan, is a pharmaceutical representative. While he has a very calm personality in his daily life, he becomes a completely different person when it comes to football. His desire to win and his totems are what set him apart from other fanatics. Uğur, who lives with his mother and sister, is tired of his mother's pressure to get married. When it comes to marriage, Pınar also faces the same pressure from her mother. Uğur and Pınar meet by chance after a traffic accident. This encounter will bring about profound changes in both Uğur's and Pınar's lives.

After his wife leaves him, taking their son with her, Commissioner Haluk severs all ties with life and devotes himself to his career. Obsessed with catching criminals, Haluk disregards the rules in the process. Because of this, Kemal is known as "Aynasız" (Mirrorless) in the police force. Another reason for his nickname is that he has neglected himself, becoming overweight and unkempt. Despite others warning him, Haluk ignores their advice. His life takes a drastic turn when he finally gets the chance to bring down the criminal gang he has been pursuing for years. To do so, Haluk must transform himself into one of the country's most famous celebrities. However, achieving this will not be easy.

Eleni is in love with a young and handsome Turk, Sedat (Tolgahan Sayışman), who also lives on Büyükada with his father, horse carriage driver Halil. These two have been sweethearts since their childhood, and now in college they have decided to further their relationship by tying the wedding knot. The only problem is that Eleni's father does not even know that these wild kids are hitched, since Eleni anticipated that the rich Stavro would never consent to her marrying a Turkish boy from a poor family. Sedat continuously pushes Eleni to tell Stavro of their plans, but the fragile girl can't summon up her courage. Meanwhile, in the background, the relationship between the Greeks and Turks of Cyprus is getting tenser by the day, affecting the situation of the Greek population in Turkey. On March 16, 1964, İsmet İnönü and the Cabinet come to a decision that all Turkish citizens of Greek descent must migrate to Greece.

Fed up with South America’s heat, the Maya, lured by rumors of golden soil, migrate to Anatolia, settling near Bağcılar and blending their advanced techniques with Turkish tribal culture. Their rapid rise, however, alarms Byzantium: peace-loving Emperor Klitor III is an avid Maya admirer, but his scheming wife, Empress Klitorya V, and his brother Muhteris conspire to eliminate Klitor, then abduct all Maya women to the imperial dungeons. Their twisted plan? By “improving” Byzantine lineage with Maya genetics while the men take local wives—“only God should know loneliness”—they intend to dilute the Maya’s flawless DNA into common stock.

Mazlum is a man who lives in the Esenler neighborhood and works as a singer in a nightclub despite his limited knowledge of music. Every night, he arrives at the venue with his own poster from the 90s tucked under his arm. Since this is the last poster he has left, he treats it like his own eye, hanging it on the club's bulletin board himself. He makes his own announcements from backstage. Despite having an extremely naive personality, he appears cunning, flirtatious, and impulsive to outsiders.