Bullet doesn't want to call a hostel home. Eritrean Girl was smuggled here in a lorry. Singing Boy dreams of seeing his name in lights and Garden Boy just wants to feel safe. Homelessness amongst young people in the UK is at a record high, so when the big society doesn't work – where do you go? An inner-city high-rise hostel, TargetEast, offers a roof. Nadia Fall's verbatim play features performances from Michaela Coel, Antonia Thomas, and Kadiff Kirwan.

A TV drama short. After one of Clive's thugs steals from him, he sends his man, Dillon, after him. After settling that score, he goes to collect his payups, but someone is having trouble making the payments on time.

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

JJ is an aspiring MC exploding onto London's exciting outlaw urban music scene. He's got the skills, he's got the rhymes, and he's got the drive. But there's a problem — not only is JJ a white boy from the sticks — he's also gay. And gay — in the world of hip-hop and ragga — ain't good. So when JJ resolves to come onstage at the Urban Slam Finals, taking his boyfriend Orlando with him, he knows it's going to get a bit grimy... but when the couple falls foul of the Infamous ghetto-rap crew, the Ilford Illmanics and Orlando is beaten into a state of permanent brain-damage, all of their lives are changed forever in a way no one could have ever foreseen.

A dark, surreal comedy about a local man who becomes convinced that a vast conspiracy is behind the impossibly rapid gentrification in his London area. But is it all in his head, or is the truth even darker than he imagines? Cla'am is the debut short from Nathaniel Martello-White, one of the UK's leading young playwrights.

This is the story of Dame Barbara Windsor, the Cockney kid with a dazzling smile and talent to match. Preparing to perform in the theatre one cold evening in 1993, the cheeky, chirpy blonde Babs recounts the people and events that have shaped her life and career over fifty years from 1943 to 1993. She contemplates her lonely childhood and WWII evacuation; her decision to go from Barbara Ann Deeks to Barbara Windsor, inspired by the Coronation of Queen Elizabeth II; her complicated relationship with her father; her doomed marriage to Ronnie Knight; capturing the attention of theatre director Joan Littlewood; and becoming the blonde bombshell in the Carry On films. Babs, ever the consummate professional, never lets her fans down whatever her personal anguish and steps on the stage to rapturous applause.