March/April 1917. The first world war is already a couple year to pace. A sealed train with Russian emigrants keeps on driving from Zürich Germany and Sweden to Sint-Petersburg. The outlaws stand under the guidance of Vladimir J. Lenin. Two senior officers support the revolutionary bomb "to ensure that everything runs smoothly. Yet there are some unpleasant clashes between Socialists and enthusiastic workers who are worried about the war. During train travel there comes an end to Lenin's affair with the gracious Inessa, and his wife Nadja is prepared take back him. The triumphant entrance in St. Petersburg will exceed all expectations....

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

A cinematographic poem in the form of variations around the theme of Robinson, a utopian fable freely inspired by Daniel Defoe's novel, which speaks above all of solitude: the immense weakness of today's man in the face of loneliness is no longer that of the hero of the eighteenth century.

Jeanne, a little secretary dreaming of love, meets Alain, a reporter-photographer with a major daily newspaper. He takes her along on his professional nocturnal activities, during which she meets a host of celebrities. One evening, Alain takes photos of the kidnapping of a diplomat, and is followed by a mysterious individual who wants the film back. Alain falls in love with Jeanne. Their embrace is passionate. During the night, he manages to get rid of the follower, then receives a new assignment: to leave for Colombia as soon as possible. He sacrifices his love for Jeanne to his ambition, and she waits in vain for him before returning to her dull life.

Julien works in an office and lives with his invalid mother and his girlfriend in a pre-war Paris apartment. He feels like the two women take advantage of him and at night, he dreams of sex and violence. Meanwhile, a murderer is loose in Paris, killing women. One day in the metro, Julien believes he sees a murder victim from his dreams; the enigmatic beauty leads him into an old shopping arcade peopled by strange figures, where he meets prostitute Bichette. The independent, confident young woman starts an affair with the clerk. But then Julien witnesses a real murder in the glass-roofed arcade…

A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.

A tragic spin on the futility of revolution, in cinema and elsewhere.

In Bissau, the carnival, in its early days, was the cultural expression of the Portuguese settlers. Since the independence in 1974, it's a celebration for all the people.

A film biography of Jarosław Dąbrowski, a Russian officer, Polish independence activist, and communist.