A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dis­patcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He's a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Eu­rope. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…

Tobiáš is a drummer for Ivan Král. He is also a professional garbage collector. He lives among garbage cans and a landfill. There he literally finds Pavla—a fragile, golden-haired creature with slashed wrists, unconscious. The love between Tobiáš and Pavla is strong, elemental—chaos. Pavla collapses in a nightclub. During a song, she is carried out on a stretcher. The head doctor at the hospital tells Tobiáš about Pavla's incurable illness and her impending death. Tobiáš raises money to save her life through charity concerts. After futile efforts, an opportunity for fraud arises. Even that doesn't help them. Yet in this situation, they find something much more important...

Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.