Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

Dario, a young lower-class, graduated from a management training academy is convinced to be prepared to achieve fortune. In search of a job, he gets involved in illegal businesses.

Gilberto, a young man from the countryside, arrives in the city with the aim of carving out a future for himself. Initially he is dazzled by the sparkling image of the city, the spoiler of civilization, which will batter him until his personality undergoes a radical change.

Ramon Antonio Brizuela is a criminal whose life passes between rounds, parties and showdowns. Recognized by a witness during an assault, he is taken to jail where he becomes aware of the unfair and corrupt judicial system.

During a police round-up, Mercedes witnesses the unjust murder of her son, a working-class man, by a police captain. Refusing to accept the official version of the story - that her son was a criminal - she launches a campaign for justice. Santiago, a young journalist moved by Mercedes's passion and determination, begins to investigate the story of the police cover-up at the risk of his own life. As the investigation develops, the film exposes the depth of Venezuela's corruption.

Alfredo Alvarado is a famous dancer and criminal from Venezuela. His horrifying adventures are narrated through a television program. It exposes the contradictions of that context. It is based on the book Los cuentos de Alfredo Alvarado “El Rey del Joropo", by Edmundo Aray.