A young member of a choir becomes friends with a ghost in a school of English cathedral.

A prequel to Marion and Geoff, which captures on camcorder the fateful events at a garden party when mini-cab driver Keith's life fell apart. Friends and family have gathered for a barbecue to celebrate the career of Keith's wife Marion, who is at the party with her boss, Mr Sushimoto, and her colleague, Geoff. However, Keith's father-in-law uncovers the true extent of Marion's naked ambition, with humiliating results for Keith.

Vivienne Keill and Jackie Riviera are a couple of aging stage actresses who live in vertically adjacent flats. The two are of questionable talent, and their careers seem to be at a standstill. During the course of the pilot, Vivienne has the opportunity to be cast in a new show but delivers a horrifying rendition of the standard "Send in the Clowns", thanks in part to Jackie's off-kilter advice.

Adaptation of the Barbara Vine (aka Ruth Rendell) novel. After Adam inherits a country house from his great uncle, he and his friend Rufus decide to spend the summer there instead of abroad. An odd assortment of 'house guests' turns up through different means and it's an uneasy mix at best. A decade afterwards, the bodies of a young woman and an infant are discovered in the woods behind the house. As the police investigate, they naturally look to Adam as former owner of the house, and what happened all those years before starts to catch up with him.

A debauched young aristocrat entrusts the running of his country house to Tom, the butler, on whom he depends absolutely. Before long the servant begins to dominate his master, to the alarm of the newly hired German nanny who senses sinister, demonic intent in Tom's control of the house.

A day in the life of 70-year-old Arthur, who falls in love with Ruth, a new resident at his retirement home.

How the Anglo-Irish Treaty between the unrecognised Irish Republic, represented by Michael Collins, and the British government was concluded after high-stakes negotiations in 1921.

The Wyatts wish to educate their children at home, but the education authorities have other ideas. Moving between 1969 and 1980, we see how this affects the various individuals and attitudes.

A rollicking adaptation of Kingsley Amis's first novel, Lucky Jim stars Stephen Tompkinson as Jim Dixon, a luckless lecturer at a provincial British university, trying to make a splash with his pompous boss, Professor Neddy Welch (Robert Hardy). Jim is also trying to make it with the woman of his dreams, Christine Callaghan (Keeley Hawes, Othello and Wives and Daughters), while simultaneously being pursued by the woman of his nightmares, fellow lecturer Margaret Peel (Helen McCrory, Anna Karenina). One (of many) complications is that Christine is the girlfriend of Professor Welch's egotistical artist son, Bertrand. Another is that Margaret keeps attempting suicide to get Jim's attention. But despite his misadventures, Jim keeps his eyes on the prize: a leg up on the ladder to a professorship in medieval history.

A bright, pretty and determined young lady named Anna Lee quits the police department in search of adventure, and joins a small and somewhat stuffy detective agency, whose members don't look particularly kindly on her short skirts, somewhat cavalier attitude toward agency rules--like showing up for work on time--and her overall demeanor. However, the agency's owner takes a shine to her and assigns her to what seems to be a relatively straightforward case: finding a young girl who's gone missing and whose family is worried about her. As it turns out, the case involves quite a bit more than just a missing girl.