In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.

In the middle of the night, a luxury jeep cruising the streets hits a poor villager on a moped. As the people in the jeep get out to see who they hit, the camera focuses on Reşo's life in the village. From that moment on, we begin to follow the life of Reşo, who lives in a rural area in the east. Following Reşo's story, the story of Yusuf, the editor-in-chief of a newspaper, and the shady dealings taking place at the newspaper are brought into focus. The story continues as the characters move toward the point where their paths collide.

Bergen, a valuable Turkish arabesque singer, fights to stay afloat despite all the difficulties in her life.

A trio of Turkish brothers immigrants find themselves torn between two lands and cultures, with roots in neither.

Bihter, who is desperate for love, sees Adnan, a wealthy and respected older guy, as a way out of the stereotype that society and her materialistic mother have given her. But she soon discovers that she is not satisfied with his attention and has other needs.

A very beautiful and blind girl, Gülüşan, marries miller Mestan and becomes his third wife. Gülüşan is not welcomed by the other wives, resulting in a dangerous power struggle among them.

A middle-aged man emerges from a pandemic slump with a new job at a quiet hotel, until some eccentric guests turn his first night into a wild adventure.

German photographer Daniel Bert, who comes to Istanbul to do photo shoots, meets Can, who is a zenne at a nightclub, and Ahmet, who comes from a conservative eastern family.

‘Theatre is my life,’ Yıldız Kenter admits in her biography written by Dikmen Gürün. This is the story of a star, who has dedicated her whole life to her theatre company, students, the stage. Recounting the prizes received as well as the prices paid for pursuing your passion, Sweetie is a testimony to the transforming cultural landscape of the country as it tells Kenter Theatre’s story and thus how a private theatre has managed to survive. Including interviews by family members, students, fellow actors, as well as rare archival images and footage, Sweetie is an homage to the ‘North Star of Turkish theatre.’ The documentary was written by Zeynep Miraç, scored by Murat Evgin, and features Dikmen Gürün as advisor.

The story of Taner, a lawyer who has problems with his aging wife, lives with his sister Saime, who is confined to a wheelchair, and is threatened and harassed because of his cases. Taner's personal and professional life continues in a tense environment as he has an affair with his closest friend's wife at his office. While trying to mend his troubled relationship with his wife, he is also troubled by documents handed over by a client involved in shady dealings. A gang is after these secret documents, which would cause chaos if made public. Saime, a loyal listener of Selma, who hosts a nighttime program on a local radio station, makes a suggestion to her brother. Taner joins Selma's program by phone at the insistence of his romantic, paralyzed sister, and an interesting relationship develops between Selma and Taner through the broadcast. Hundreds of people who listen to her heartfelt conversations every night, connecting with the radio studio, take an interest in this relationship.