Toichi is a boatman who ferries the villagers to a town on the other side of the river. Besides rowing a boat for the villagers all day long, he barely communicates with anyone except Genzo, a young neighbour. Upstream, a large bridge is being constructed. Everyone is excited, but Toichi has mixed feelings about it. One day, Toichi meets a mysterious girl. Having no family and no place to go, Toichi lets her stay with him, but this encounter starts to bring about changes to Toichi's life.

For 11-year-old Vrej, life in his homeland Artsakh is like a paradise, but when war starts again, can he carry a nation’s hopes on his young shoulders?

While it was long thought that his filmography had concluded with the film Life in 1993, Peleshian has now returned with a new film, simply titled La Nature, through which he once again observes the delicate cohabitation of human communities with their environment. Gathered from the internet, most of the images that compose the film are fragile, amateur-shot traces from within nature and its tremors that regularly rock these communities. Volcanic eruptions, earthquakes, and tsunamis form the film’s visual fabric, and are set against images of grandiose natural landscapes. A visual elegy, the film resolutely acknowledges the superiority of nature, with its unrelenting force, capable of transcending all human ambition. With this, the filmmaker seems to remind us that humankind will not emerge victorious from the ecological havoc that it has created.

"Taniel" looks at the last months of poet Taniel Varoujan's life, who was murdered in the Armenian Genocide of 1915. The film's narrative is heard in poetry and seen through Film Noir images.

Alik, 25, has been raised by his grandfather, conductor of a renowned classical orchestra in post-Soviet Armenia where cultural institutions are failing and oligarchs allied with the mafia hold power. Alik, a clarinetist, is the virtuoso in this orchestra whose existence is seriously threatened when its key sponsor is murdered. One night, Alik comes into possession of a hired killer's mysterious telephone, which is used only to commission hits. Manipulated by a crook's daughter with whom he falls hopelessly in love and wishing to save the orchestra at all costs, Alik decides to take on the identity of the killer known as "The Virtuoso" and attempt to carry out his contracts. But Alik is a virtuoso musician, not a killer.