
Acting
Tiffany Tenille is a storyteller captivated by cinematic worlds with an undercurrent of darkness. Her work often captures the coming-of-age journeys of young women teetering on the brink of mental collapse, a theme powerfully depicted in her directorial debut, Albion Rose. The short was awarded The Future of Film is Female post-production grant, the Phenomenal Person in Film Award from Cinema Femme, and garnered recognition from RogerEbert.com, who hailed it as “utterly mesmerizing.” Additionally, the film made its premiere at MoMA in New York. Originally from Chicago, Tenille holds a BFA in Acting from The Theatre School at DePaul University. In front of the lens, Tenille delivered a breakout performance in Numa Perrier’s Jezebel, where her portrayal of the titular role drew critical acclaim during its world premiere at SXSW. The film’s subsequent release in theaters and on Netflix cemented Tenille as a rising star in the industry. Continuing to expand her creative voice, she is currently premiering her sophomore short, A Woman’s Body, while developing The Petticoat Suite, an emerging art house devoted to soft cinema and timeless frames that resonate across generations.

In the afterglow of their happy occasion, a young newlywed couple encounters a painful truth on their wedding night that puts their future together in peril.

In a dystopian future where people live nocturnally to avoid the harmful rays of the sun, a young black girl unravels the lie that has kept her and her sister in the dark.

A true story. In the last days of her mother’s life, 19-year-old Tiffany crashes with five family members in a Las Vegas studio apartment. In order to make ends meet, her sister, a phone sex operator, introduces her to the world of fetish cam girls.

A tomboy comes into her own when she decides not to wear a dress to prom.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

In the afterglow of their happy occasion, a young newlywed couple encounters a painful truth on their wedding night that puts their future together in peril.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

In the afterglow of their happy occasion, a young newlywed couple encounters a painful truth on their wedding night that puts their future together in peril.

In the afterglow of their happy occasion, a young newlywed couple encounters a painful truth on their wedding night that puts their future together in peril.





