
Directing
Thunska Pansittivorakul was born in Bangkok in 1973. He graduated in Art Education from Chulalongkorn University. He won the Grand Prize award at The 4th Taiwan International Documentary Festival in 2004 for 'Happy Berry' and his 'Santikhiri Sonata' won City of Lisbon Award for the best International Competition film at DocListboa, Portugal in 2019. His 'Heartbreak Pavilion' project won the Top Award from Pusan Promotion Plan (PPP) at The 10th Pusan International Film Festival in 2005. In 2007 he received the Silpatorn Award from The Ministry of Culture's Office of Contemporary Arts, which is awarded to one outstanding artist each year. The past honorees in the field of film include Pen-Ek Ratanaruang, Apichatpong Weerasethakul, Wisit Sasanatieng, etc.

A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist

An insightful documentary about Thai cinema, which features a colourful and long running film history, yet struggles as the industry attempts to move forward. This film examines the past and focuses on the Thai New Wave since 1997 by combining film clips, and interviews from Thai directors and others artists, like Asian hip-hop sensation Thaitanium, who are trying to create a more personal style of art.

Perth has broken off contact with Poon. What's left are images showing the two men's sex life. Perth was Poon's twenty years younger cinematographer.

Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.



A black cloak of forgetting, suppressing and covering has descended on the events that took place in Bangkok in spring 2010. Black as the night of complete darkness in which the film opens. Two men are in a fishing boat talking. One feels more than one sees that the seawater around them is warm and smooth, teeming with brightly-colored fish. By night, the rubber plantation also comes across as enticing and full of secrets, until lurid reminders of the bloody massacre flash up.

This documentary, composed of various video clips and footage, is an exploration to search for some missing jigsaw pieces in history. Something that turned someone into a hero, or an absolute jerk. Some things are hidden under the carpet, from Hiroshima to Teresa Teng to the Space Race, an Olympic and the moon.

A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist
Happy Berry is the name of a Bangkok boutique run by a group of trendy Thai youths, and is the nerve centre of this fly-on-the-wall documentary (the second in a trilogy entitled "Life and Love"). The camera catches the subjects indulging in all the (post) modern lifestyle trends: drugs, kinky sex, hip-hop, fashion, exhibitionism, narcissism. They are uninhibited, the kind of youth who break down barriers in a supposedly traditional and religious society, but perhaps that's just on the surface. Behind the upbeat tone is a probing examination of values and attitudes in modern youth relationships. Happiness may be deceptive but there's certainly a lot of fun in the Happy Berry.

Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn't get past the censor in Thailand. The maker doesn't mince his words and isn't afraid to look reality in the eye.

VOODOO GIRLS challenges Thailand's social taboos as filmmaker THUNSKA PANSITTIVORAKUL and his circle of college friends, talk openly about sex, gossiping and teasing each other as they discuss their past and present partners. Loaded with sexual innuendo, random objects and gestures assume new meaning, rendering even an artist's wooden mannequin a playful sexual energy. Roger Garcia Documentary in a form of home video, telling a story of the lives of 3 girl friends through a personal point of view.


Danse Macabre is a dance that explores deaths that are remembered and forgotten in history, including those of kings, citizens, and stateless people. In Thailand, many deaths were suspicious in nature over the past 90 years, but nobody dared to question them.
