A warm, dramatic story about eleven-year-old Alise's encounter with a wild horse on the run.

Detectives Jonas and Erik are called to the midnight sun country of northern Norway to investigate a recent homicide, but their plan to arrest the killer goes awry, and Jonas mistakenly shoots Erik. The suspect escapes, and a frightened Jonas pins Erik's death on the fugitive. Jonas continues to pursue the killer as he seeks to protect himself; however, his mounting guilt and the omnipresent sun plague him with an insomnia that affects his sanity.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity

Gunder Jomann lives in the small place of Elvestad. He prepares to receive his wife, Poona Bai, who he met and married in India. Gunder gets delayed when his sister is injured in a car accident and he sends the local taxidriver to transport her to him at the hospital but the chauffeur do not find her. The following day the body of a foreign woman is found on a meadow, few meters from Gunders house. Inspector Konrad Sejer tries to unravel the mystery and discoveres soon that the dead person is Gunder's wife, Poona. Who killed her, and why?

On September 28th, 1994, two Swedish men robbed a bank in the small Norwegian town of Larvik. Soon, with a massive police hunt underway, the robbers ended up taking two civilians and two police officers hostage. Next morning the drama would come to a deadly halt at nearby Torp Airport, where for the first time in history, a Norwegian police chief was forced to give the order to shoot to kill.

This kid has to move to a farm in his summer vacation and don't get to go to Norway Cup as he had planned for. Out on the country there is bad cellphone reception, cow smell and inbreed farmers as far as the eye can see. The family Volvo get stolen and the foreigners in the small town automatically gets blamed. From there is a chase to discover what truly happened...

John and Siri Lill are a couple who have been together for most of their forty something years, but are yet to be married. He works for a newspaper, and is a heavy drinker. She is a respected hairdresser, working for Birger, a commom friend. John, usually, bottle-in-hand is an ace at being at the wrong place at the wrong time. Tired of John's drinking, Siri decides to leave him and move to her parents' house. John's drinking then worsens, and their apartment becomes a mess. Siri decides to return to her and John's place, and that's when the Absolute Hangover really begins with a vengeance.

Svein thinks his grandma's soul is in the process of being swallowed by mysterious aliens, and he mobilizes both his friends and his rat Halvorsen in an attempt to save her.

Carpenter Andersen and Santa Claus makes a deal which saves Christmas for them both.

The Gang form The Dynamites. After winning a talent competition they are told by manager Pop-Johansen that the band will be huge in the U.S. But is he only after their prize money?