The Fête des Vignerons is opening its doors to Swiss comedians and searching for that rare gem for its 2019 edition. While artists from the new generation are rushing to audition, Marie-Thérèse Porchet doesn't understand why she should stoop to auditioning, as she is so certain that she alone embodies the spirit of the legendary Vevey festival. Will she achieve her goal despite stiff competition?

Thomas Wiesel's comeback with a new show. After blowing away Romandy and every politician and personality natural to it, he makes way to Paris with a new target: himself. He opens up, complains (a lot), makes fun of himself, and, above all, tries to reassure you that: it's okay, promise. (translated from the French TMDB page.)

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.

Hosted by Kyan Khojandi, in sixty minutes, sixty artists follow one another on stage. Which means they have sixty seconds, and not one more, to hold the spectators' attention and draw them into their world. The witticisms fuse, forming a veritable fireworks display of witticisms and funny situations, to the delight of viewers, but also of guest comedians.

60 comedians in 60 minutes, that's what Kyan Khojandi has to offer tonight.

On tour throughout France at the beginning of 2024 with his third one-man show, he dissects our relationship with work, his burnout, and his career change.